![]() ![]() This stereoscopic short film is part of a theme part attraction that is installed in Disney’s Wild Animal park in Orlando, FL as well as Disneys California Adventure in Anaheim, CA. Rhythm and Hues Studios – Rhythm and Hues Proprietary Software, Amazon 3D Paint It’s Tough to be a Bug Theme Park Attraction (Shot 40-41) Responsible for the morphing of one live action plate to another to create an illusion that a water funnel spins and turns into a bottle of Coca Cola. Responsible for morphing of one live action plate to another in order to create the “dissolve” from one actors apparel to another. Plus tracking, animation and compositing. Responsible for all 3D creation based on specifications form manufacturer on product. Leaps and Bounds Commercial 1993 (Shot 37) Responsible for 3D motion graphics of opening segment of a special news program hosted by Bill Curtis. Responsible for the motion tracking, look development, lighting and compositing of 3D football. Post Effects, Chicago – Alias Power Animator, 42 Inc. Northwest Airlines Commercial 1994 (Shots 33-34) Responsible for 3D motion graphics and compositing for local Chicago TV commercial. Responsible for content creation of all 3D components and compositing to be used in video and print for Motorola Tradeshow materials. Post Effects, Chicago – Alias Power Animator This was the first time that R&H was implementing HDR imagery into its pipeline, therefore R&D was required. Responsible for look development of the subway sequence. This was the first time that R&H was incorporating Houdini into their proprietary pipeline so much R&D was required to ensure an effective workflow. Responsible for lighting and compositing of elements created by teammate using Houdini. Responsible for lighting of sequences and scenes with the talking bulldog, as well as finishing the “snot” and “vomit” sequences. Responsible for the look development lighting and compsiting of the gun, bullet, severed neck, wolf, and bats. Rhythm and Hues Studios – Rhythm and Hues Proprietary Software with Houdini Responsible for ompositing of “The Great Gazoo” Character using live action green screen in combination with morphing to deform the live plate. Rhythm and Hues Studios – Rhythm and Hues Proprietary Software – Shake The Flintstones in Viva Rock Vegas 2000 (Shot 10-12) Also repsonsible for prepping sequences for scene lighting as well as completing several shots for scene lighting. Responsible for leading a team of 20 individuals to do the live action integration of stylized “Scooby” character. Rhythm and Hues Studios – Rhythm and Hues Proprietary Software With his diverse skill set and creative approach, Trevor is capable of delivering visually stunning and outstanding results in the field of VFX.Role – Sequence Supervisor, Sequence Lighter, Scene Lighter He is committed to continuing his professional growth and is eager to take on new challenges and projects. Trevor's experience and dedication to his craft ensure that he produces high-quality work that meets industry standards. One of his milestones was the presentation of his works at Dundas Square in Toronto. He has also collaborated with many Toronto-based model companies, showcasing his talent for capturing the beauty of his subjects. ![]() His works have been recognized by Ryerson University, with his photography pieces collected by both the Ryerson Library and the President's Office. Trevor's passion for integrating photography knowledge and aesthetics into his VFX work has earned him a reputation for delivering exceptional results. He graduated from Seneca College with a diploma in Visual Effects for Film and holds a Bachelor's degree in Photography Studies from Ryerson University. He specializes in 2D & 3D compositing, BG prep, Rotoscoping, and paint. Zongzhe (Trevor) Cai is a Toronto-based photographer and VFX compositor of Chinese descent with a passion for integrating photography knowledge and aesthetics into his VFX work.
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